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The “counterelement” here is not the complementary color, but rather different gradations of a color tone and saturated colors vs. diffuse colors provide the contrast. By the way, you can find a good overview of the gradations on Paletton.com - including the hexadecimal code. If you have Photoshop or Pixlr open, you can also find the color gradations in these programs. Pixrl program Pixlr.com (editor) gives you four color gradations of a tone. 4. Forms – Variety is good, continuity is better Of course, you can create contrasts not only through color, but also through shapes and size.
If you use circles, squares, rectangles, etc. in your infographic, these elements India Car Owner Phone Number List should not be mixed up too much. This causes unrest in the graphics. Decide on 2-3 elements and use them again and again instead of always using new shapes. This also applies to the size of the elements used! Infographic minimalistic Reduced to the essentials, contrasts chosen carefully. ( Source ) 5. The readability thing As you could see from point 3, readability is at risk if the contrast is too strong. Likewise when you suddenly jump from small elements to huge ones. In both cases it is difficult for the eye to read and it tires easily - the conclusion: you click away.
To check readability, it is best to ask a second person whether they can read everything without any problems. assess readability after spending hours creating graphics. Another aspect of readability is of course fonts, but more on that in the next point. 6. Keep it simple, keep it straight! Fonts for infographics Often found on rear windows but not in infographics! Comic Sans is hated with great devotion by graphic designers worldwide. Yes, but Comic Sans is nothing compared to the fonts listed above? Well, admittedly, disliking certain fonts is generally subjective, but these fonts all have something in common: they are not straightforward! If you write more than 3 words, it quickly becomes unreadable.
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發表於 2024-3-11 16:49:10
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